Third proposal: express a dialectical theory of the sign.

The most basic features that can articulate a concept of dialectics (as re-German philosophy with the contributions of Kant, Fichte, Humboldt, Hegel, Marx, Dilthey, Bertalanffy, Habermas, Gadamer, Apel, etc..) Expressed two inseparable concepts: 1. organismic conception, and 2. historical dialectical conception. Organismic conception develops the concept of "agency" (or "full relational regulated") as a synthesis between the permanence of the substance (or subsistence), and the change of change caulsaes. The notion of body as a synthesis between the substance and the relations or relativism, between the substance / accident and the cause / effect. The category of "body" is determined by entities such as the assertion that achieve real and its inherent stability through the ceaseless change. By the imbalance and the continuing transformation of both their constituents and their structural forms. Piaget, in the tradition of the body Bertalanffy called "closed systems in terms of cycles, but open in the middle." Historical dialectical conception of history develops the concept of training or practice as a historical summary of the new production and reproduction of the same and, by recognizing the contradictions and conflicts that arise from the proliferation of reproductive currently effective against validity of the limits placed by the boundary conditions of the given, and the transition to new forms of partnership or reconfiguration productive. The mechanism that defines the transformation of production driven by the performance (= performances) is described by the reproductive category of solidarity and Aufhebung the immediacy of return. Both concepts applied to the analysis of the sign, the following conclusions:

1. Semiotic process could not be conceived or only as a substance or only as a form, but also and primarily as a historical evolution, ie a substance that has come into existence and is relatively stable with a flow incessant changes over which they form and transform relations between its components, leading to complex structural and functional hierarchies that define each time, their actions (performance: tokens); jurisdiction (destination: types) and their reproductive cycles (ie, its canonical narrative or method of production / reproduction).

2. The theory of the sign in its original wording (such as those of Peirce and F. de Saussure) only focused elements of the structure of the performance (= surface structure: represent / object / interpreting), and was added without an explicit rationale, other elements of the deep structure (of the competition and the production / reproduction), a dialectic of the sign makers have to add to its analytical dimension triadic (or performance), a dynamic dimension, also triadic (competition, referring to the classification of the signifier, the meaning and purpose of the classification competition Intérprete to associate some sort of expression with some other kind of content) and, finally, a dimension of epigenetic mark, also triadic (or history of the mode of production / playback).

3. The last of the substrate is semiotic processes, then, as all historical and operational training or as a mode of being Narrative, and thus hermeneutic, and involves not only a semiotic interpretation of man but of all reality, designed as a material universe-causal-representational.

A first formal display device that shows the basic components of semiosis are a total of nine. But this amount does not invalidate the traditional argument about the nature of the triadic sign, but it reaffirms once the systematising enriches this structure as the product of two axes or dimensions: a static dimension, a dimension and a dynamic dimension epigenetics. The following chart shows the results of this new organization and categorization. :




LEVEL OF EXPRESSION ROLE OF SIGN MAP OF THE CONTENT

Acting first SIGNIFICANT ACTION INTERPRETING MEANINGS

Competition PARADIGMS AND FREEDOM OF PARADIGMS AND
segundidad SINTAGMAS ACTION INTERPRETER SINTAGMAS THE
THE MEANINGS MEANINGS

Reproduction S / Code TREASURY Production and playback. Culture or ideology
third OF EXPRESSION CAST OF THE COMMUNITY. TREASURE OF
Logic function of the ENTIRE CONTENTS
DISCURSIVOS